Nashville recording artist to present “Johnny Cash and Neil Diamond Tribute” show

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Tickets are $ 30 for general admission or $ 50 for a VIP pass, which includes the chance to meet Nash behind the scenes and receive an autographed photo and CD of Johnny Cash. To purchase tickets, call Empire at 701-746-5500 or go online at www.empireartscenter.com.

On the two-hour show, Nash emulates Johnny Cash in signature vocals and guitar movements.

“Johnny Cash, of course, is American. We do all of his classic songs – the songs that you expect to hear, ”Nash said,“ and then we do things that you probably wouldn’t expect to hear. ”

As a tribute to Neil Diamond, Nash will perform hits from Diamond, including “Cracklin ‘Rose”, “Sweet Caroline”, “Red Red Wine”, “Play Me”, “Forever in Blue Jeans”, “America”, “Solitary Homme “and” I am a believer “.

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Nash dresses in each artist’s style and reflects their manners, “but his rich and sweet baritone is his,” said Grand Forks publicist Debbie Silverman Krolik, who resides in Chicago.

“Audiences come to hear the music of Cash and Diamond, but it’s Doug Allen Nash they always remember at the end of the night,” she said.

In the tribute show, Nash will be accompanied by the Nash A-List Big Band, which includes string and horn players.

Performance is visually enhanced by a $ 60,000 light show with a colorful and eye-catching video wall, highlighting the lives of Cash, Diamond and Nash.

“It helps tell the story, especially with Johnny Cash,” Nash said.

Nashville <a class=recording artist Doug Allen Nash will perform the “Johnny Cash and Neil Diamond Tribute” show at 7:30 pm on November 4 at the Empire Art Center in downtown Grand Forks. (Photo provided by Debbie Silverman Krolik)” width=”1140″ height=””/>

Nashville recording artist Doug Allen Nash will perform the “Johnny Cash and Neil Diamond Tribute” show at 7:30 pm on November 4 at the Empire Art Center in downtown Grand Forks. (Photo provided by Debbie Silverman Krolik)

Nash is aware of the responsibility that comes with playing as Cash, he said. “Johnny had signature stuff you’d expect or see; it’s fun to do – and even because of the guitar behind his back and everything he’s done. You know you are paying homage to an icon and that he was a pioneer. I think that’s probably the thing that makes it fun, the guy was a trailblazer.

Meeting by chance

He had the opportunity to meet Cash at an airport in Copenhagen, Denmark, where the musical legend and his two daughters were shopping at a leather goods store.

“(They) were looking at leather jackets,” recalls Nash, who at the time was on the USO tour with his nine-piece band. “I walked over to him and introduced myself.”

“We started talking and we talked about where he’s been from, we talked about Nashville, a bit of songwriting,” said Nash, who asked Cash if he would agree to walk about 30 yards. in the hallway to meet members of his group. Cash agree.

As the legendary musician spoke with the band members and signed autographs, Nash said: “I remember looking at him, he had broken blood vessels under his eyes and on his nose – and so when I did. Was young, I thought, man, that guy must have lived hard, but he had a real presence, he had that “that” factor.

So many people identify with Johnny Cash because he was “raw, real, and trying to be honest.” … I think that’s why we guys especially respect him and know that no man is perfect, ”Nash said,“ but Johnny Cash has come full circle.

This chance encounter was the inspiration for the tribute show. Nash received the blessing from Grammy Award-winning producer John Carter Cash, son of Johnny Cash and June Carter Cash, to honor “The Man in Black” in this way. Carter Cash recorded Nash’s albums at Cash-Cabin Studios in Hendersonville, Tenn.

Nash presented the Johnny Cash and Neil Diamond Tribute show to sold-out venues across the country, making headlines in theaters, casinos, performing arts centers and outdoor venues including Caesar’s Palace and Hard Rock Hotel and Casino on the Vegas Strip; the famous Hollywood Viper Room; Nashville Opryland; and the Taj Mahal in Atlantic City.

Farm boy at heart

Nash is eagerly awaiting his return to the Empire Art Center, where he performed two years ago to a full house, he said. As the owner of a corn and soybean farm in the Northwest In Illinois, he feels a special affinity with the people of the Midwest.

Like other sectors of the economy, the entertainment industry was hit hard by the pandemic in 2020, Nash said, as events and performances were canceled or postponed.

“We were lucky, we held up, I think, better than many,” he said. “I think a lot of bands and musicians have pulled out of the business. It’s sad in many ways too; if you take people – actors, musicians or artists – to go to LA, Nashville or New York, there have been, without a doubt, broken dreams and some people will never have that chance again. “

However, Nash feels lucky to have had more time off than his usual travel schedule, he said.

The pandemic gave her “quality time” to be with her mother, who suffered from dementia and lived in a nursing home about 15 minutes from her farm. This time was cut short however; the facility was closed for approximately six months.

“We would always go to see her, through the window, like millions of Americans have done – watch their loved ones or their friends suffer alone or through a window,” he recalled. “We went through this trauma, like so many others. And I think it’s something that will stay with us for the rest of our lives.

When the closure was lifted last October, he and other family members were able to walk with her on the grounds of the nursing home, but this was short-lived as there was another closure. . On October 23, staff at the nursing home suggested that Nash take his mother home.

“She knew where she was; she always knew who we were, ”he said. “She died in my arms” the next day, with members of her family around her.

Music was a big part of her mother’s life; she bought him his first guitar when he was 8, Krolik said, “and it is with this spirit that he continues to bring happiness to others with his own musical gifts.”


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