Web Manual For Musicians - Promoting a concert


Cada artista tiene una forma distinta de promocionar un concierto, pero en común se mantiene la tendencia hacia ciertas herramientas como la publicidad de calle, las reseñas de prensa y las alianzas con medios, las redes sociales y algo que en estos tiempos tan digitales, es efectivo como el voz a voz.

Each artist has a different way of promoting a concert, but in common the trend towards certain tools such as street advertising, press reviews and alliances with media, social networks and something that in these digital times is effective as the voice-to-voice strategy.

This is Chapter 21 of the Web Manual for Musicians series, a product of the New Mexico Ministry of Culture, with the original idea and development of Poliedro.

CHAPTER 21 - PROMOTION OF A CONCERT




RELATED CHAPTERS


Chapter 2 - Marketing of the media

Chapter 3 - Circulation of content and copyright

Chapter 4 - Proposal of scene and evaluation of the live presentation

Chapter 5 - Tools for making technical requirements

Chapter 6 - Sound field and monitoring

Chapter 7 - The Basic Presence of a Band on the Internet

Chapter 8 - Digital Strategy

Chapter 9 - Online Music

Chapter 10 - Youtube

Chapter 11 - The Strategic Plan

Chapter 12 - Work Schedule

Chapter 13 - Budget

Chapter 14 - Co-financing with platforms and brands

Chapter 15 - The Portfolio

Chapter 16 - The Press Release

Chapter 17 - The Flyer

Chapter 18 - The Clip

Chapter 19 - Merchandising

Chapter 20 - Discus Throw

Chapter 21 - Promoting a Concert

Chapter 22 - Strategic Alliances with Media


Credits

Original Idea and Development ( Poliedro ), Series design, production, realization and assembly (Chucky García, Nicolás Méndez) Locution (Edson Velandia) With the participation of (Electric Mistakes) Music by (Electric Mistakes, Frente Cumbiero, Mitú, Romperayo) Field Support (Irene Maldonado), Collaboration (El Cisne, Rhayuela Films, Tambora Records)

Source