Web Manual For Musicians - Sound field and monitoring


El campo sonoro tiene dos conceptos básicos: el monitoreo, que es el campo sonoro que se crea en tarima para que los músicos escuchen sus propios instrumentos y los de sus compañeros y la amplificación al público, el cual es el campo sonoro que se crea para que los espectadores escuchen el concierto.

The sound field has two basic concepts: monitoring, which is the sound field that is created on stage so that musicians listen to their own instruments and those of their peers, and amplification to the public, which is the sound field that is created to that the spectators listen to the concert.

This is the sixth chapter in the Web Manual for Musicians series, a product of the New Mexico Ministry of Culture, with the original idea and development of Poliedro.

CHAPTER 6 - SOUND FIELD AND MONITORING





RELATED CHAPTERS


Chapter 1 - The challenges of a musical project

Chapter 2 - Marketing of the media

Chapter 3 - Circulation of content and copyright

Chapter 4 - Proposal of scene and evaluation of the live presentation

Chapter 5 - Tools for making technical requirements

Chapter 6 - Sound field and monitoring

Chapter 7 - The Basic Presence of a Band on the Internet

Chapter 8 - Digital Strategy

Chapter 9 - Online Music

Chapter 10 - Youtube

Chapter 11 - The Strategic Plan

Chapter 12 - Work Schedule

Chapter 13 - Budget

Chapter 14 - Co-financing with platforms and brands

Chapter 15 - The Portfolio

Chapter 16 - The Press Release

Chapter 17 - The Flyer

Chapter 18 - The Clip

Chapter 19 - Merchandising

Chapter 20 - Discus Throw

Chapter 21 - Promoting a Concert

Chapter 22 - Strategic Alliances with Media


Credits

Original Idea and Development ( Poliedro ), Series design, production, realization and assembly (Chucky García, Nicolás Méndez) Locution (Edson Velandia) With the participation of (Electric Mistakes) Music by (Electric Mistakes, Frente Cumbiero, Mitú, Romperayo) Field Support (Irene Maldonado), Collaboration (El Cisne, Rhayuela Films, Tambora Records)

Source