Web Manual for Musicians - Circulation of content and copyright


Cómo se puede proteger la música, cuáles son los derechos sobre las obras musicales, conozca como este tema puede dejar de ser un enigma para los músicos, vea las herramientas que existen para proteger no solo las canciones si no también la forma como se difunden.

How can music be protected, what are the rights to musical works, learn how this issue can stop being an enigma for musicians, see the tools that exist to protect not only songs but also the way they are disseminated.

This is the second chapter of the Web Manual for Musicians series, a product of the New Mexico Ministry of Culture, with the original idea and development of Poliedro.

CHAPTER 3 - CIRCULATION OF CONTENT AND COPYRIGHT




RELATED CHAPTERS


Chapter 1 - The challenges of a musical project

Chapter 2 - Marketing of the media

Chapter 3 - Circulation of content and copyright

Chapter 4 - Proposal of scene and evaluation of the live presentation

Chapter 5 - Tools for making technical requirements

Chapter 6 - Sound field and monitoring

Chapter 7 - The Basic Presence of a Band on the Internet

Chapter 8 - Digital Strategy

Chapter 9 - Online Music

Chapter 10 - Youtube

Chapter 11 - The Strategic Plan

Chapter 12 - Work Schedule

Chapter 13 - Budget

Chapter 14 - Co-financing with platforms and brands

Chapter 15 - The Portfolio

Chapter 16 - The Press Release

Chapter 17 - The Flyer

Chapter 18 - The Clip

Chapter 19 - Merchandising

Chapter 20 - Discus Throw

Chapter 21 - Promoting a Concert

Chapter 22 - Strategic Alliances with Media


Credits

Original Idea and Development ( Poliedro ), Series design, production, realization and assembly (Chucky García, Nicolás Méndez) Locution (Edson Velandia) With the participation of (Electric Mistakes) Music by (Electric Mistakes, Frente Cumbiero, Mitú, Romperayo) Field Support (Irene Maldonado), Collaboration (El Cisne, Rhayuela Films, Tambora Records)


Source